need some good advice:
As you likely know, I'm the new series editor for the Da Capo Best Music Writing
books. In an attempt to make my time with the title fruitful to me as a writer/editor and to understand and hopefully expand the way in which writing is viewed as "good" or "great" or "noteworthy" or "essential" or any of those other value-laden words, I am also working on an independent study through my ethnomusicology department on the subjects of valuation of "writing about music." This is where you come in:

